As a small time theatre manager, I must stress...
*DON'T HIT THE DRAPES*
(Hmm - idea for a new thread).
Considering how long it would take a drop to fall (maybe 2 seconds if
you're
really lucky) and even the largest its possible to make a drip (using
really
thick liquid), it would be really hard for an audience to see the drop
fall
from any distance . Having something pale underneath the drip to
highlight
the stain it makes would make what is happening much more obvious.
You would really have to focus the audience's attention and get the
lighting
spot on to see a drip actually falling.
Tim
"Duncan Wood" <bodgedntp@[EMAIL PROTECTED]
> wrote in message
news:op.t692toc2pmo3dt@[EMAIL PROTECTED]
> On Fri, 29 Feb 2008 01:53:24 -0000, Torrance Bell
> <starlite528@[EMAIL PROTECTED]
> wrote:
>
>> deadhang@[EMAIL PROTECTED]
wrote:
>>> We are looking for a way to make blood drip in the center of our stage
>>> for a production of The Scottish Play. We need to have control over
>>> the amount and size of each drip, time between drips, and we need very
>>> accurate start and stops of the dripping. The drops would come from
>>> the grid, 20 feet above the stage. The closest I can get an operator
>>> to the drop destination is 43 feet away. Any ideas on how to achieve
>>> this effect?
>>
>> The drops should be large enough for the audience to be able to see the
>> drips, or the drips after they land on something. Dripping something
>> from so high runs the risk of wandering around hitting things you don't
>> want it to hit, like draperies.
>>
>> I would make the drips thick and heavy.
>>
>> Torrance
>
>
> & a long piece of 3/16" tube & a "drip bag" works well.


|