On Sat, 15 Dec 2007 16:20:56 -0000, Richard Crowley <rcrowley@[EMAIL PROTECTED]
>
wrote:
> "M.C.Gordon Jr" wrote ...
>> , n...@[EMAIL PROTECTED]
wrote:
>>> I occasionally get called on to run live sound at drama productions at
>>> my church. I have real professional experience, but it was a lifetime
>>> ago, and of course, many things have changed. In this year's
>>> production, we used body mics for most of the characters, and we have
>>> good Sennheiser body packs, but I was not at all happy with the
>>> performance of the mic elements placed on the clothing. In the
>>> professional shows I have attended recently, I notice that the typical
>>> mic placement is on the temple above the ear, or even up on the
>>> forehead. I am curious what mic elements folks are using, how they
>>> are attached to the face, and what kind of EQ is typical.
>>>
>>> Regards,
>>> -scurrie-
>>
>> Try posting at
>> alt.audio.pro.live-sound
>
> Watch out over in a.a.p.l-s it can be a rough and crude
> neighborhood. Many of us have completely given up on
> that newsgroup because it has such a poor signal-to-noise
> ratio.
>
> OTOH, that sort of micing question is regularly discussed
> (and quite civilly) on news:rec.arts.movies.production.sound
>
> Note that any discussion tends to be rather generic (and not
> very useful) unless you mention specific make/model of
> which microphone(s) you are talking about. The microphone
> itself, not the transmitter and receiver.
>
Which in the UK amateur market is almost always MKE2s. I'm not sure how
you have a typical EQ though.
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