"M.C.Gordon Jr" wrote ...
> , n...@[EMAIL PROTECTED]
wrote:
>> I occasionally get called on to run live sound at drama productions
>> at
>> my church. I have real professional experience, but it was a
>> lifetime
>> ago, and of course, many things have changed. In this year's
>> production, we used body mics for most of the characters, and we have
>> good Sennheiser body packs, but I was not at all happy with the
>> performance of the mic elements placed on the clothing. In the
>> professional shows I have attended recently, I notice that the
>> typical
>> mic placement is on the temple above the ear, or even up on the
>> forehead. I am curious what mic elements folks are using, how they
>> are attached to the face, and what kind of EQ is typical.
>>
>> Regards,
>> -scurrie-
>
> Try posting at
> alt.audio.pro.live-sound
Watch out over in a.a.p.l-s it can be a rough and crude
neighborhood. Many of us have completely given up on
that newsgroup because it has such a poor signal-to-noise
ratio.
OTOH, that sort of micing question is regularly discussed
(and quite civilly) on news:rec.arts.movies.production.sound
Note that any discussion tends to be rather generic (and not
very useful) unless you mention specific make/model of
which microphone(s) you are talking about. The microphone
itself, not the transmitter and receiver.
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