Just read on Playbill.com that the Great Dody Goodman passed away June
22 at the Actors Fund Home in New Jersey. Below is the article from
playbill. I had the honor as a high school student to get to know Ms.
Goodman when she was playing Dolly Galagher Levi in Wilder's THE
MATCHMAKER in regional theatre. She was charming, delightful, the
epitome of the loving grandmother, and would go out of her way to talk
to students interested in theatre. I will miss her terribly.
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Dody Goodman, Comedienne and Actress, Dead at 92
By Robert Simonson
23 Jun 2008
Dody Goodman, whose ditzy comic persona was well known to patrons of
theatre, film and television from the 1950s on, died June 22 at the
Actors Fund Home in New Jersey, a spokesperson for the Fund confirmed.
Her age was thought to be 92 by many accounts, though the subject of
her birthdate was something she was known to falsify throughout her
career. Her agent said she was 94.
She first struck out in show business as a dancer, hoofing it through
a series of 1940s Broadway musicals including Viva O'Brien, Something
for the Boys, One Touch of Venus, Laffing Room Only and Miss Liberty
(all as Dolores Goodman). The 1950s brought her Call Me Madam,
Wonderful Town and My Darlin' Aida.. In 1955, she made a splash in Off
Broadway's Shoestring Revue with the novelty song called "Someone's
Been Sending Me Flowers" by Sheldon Harnick and David Baker.
Her airhead persona, buttressed by curly hair, wide childlike blue
eyes and a long, loopy grin, attracted the attention of Jack Paar,
then the host of "The Tonight Show." Beginning in 1957, he had Ms.
Goodman on the show as a regular several times, in with she
essentially played herself. She parlayed a distracted air, and a
hesitant, befuddled delivery into laughter and soon became very
popular with audiences. Ms. Goodman was nominated for an Emmy Award in
1957 as Best Continued Performance in a Series by a Comedienne.
According to accounts, however, her willingness to upstage Paar and ad-
lib too freely got her banished from the show soon after.
Ms. Goodman kept up her visibility with appearances on "Toast of the
Town," "The Phil Silvers Show" and "The Merv Griffin Show." She
headlined the 1960 Off-Broadway revue Parade, which first brought the
songs of Jerry Herman to the public's attention. In 1970, she returned
to "The Tonight Show," then under the control of Johnny Carson. She
infrequently returned to Broadway, appearing in such flops as A Rainy
Day in Newark, My Daughter, Your Son and a 1969 revival of The Front
Page. She provided sup****t as Mrs. Ella Spofford to Carol Channing's
Lorelei Lee in the 1974 musical Lorelei.
Fame and good fortune returned in the late '70s when she took on the
role of Martha Shumway in the widely praised, if short-lived, mock
soap opera "Mary Hartman, Mary Hartman," and made a much-commented-
upon sup****ting turn in the film of "Grease." A semi-regular role on
"Diff'rent Strokes" followed. She was nominated for a Drama Desk Award
for her performance in an 1984 revival of Ah, Wilderness!. She also
spent a great deal of time in productions of Nunsense and its sequels.
Nunsense creator Danny Goggin called Ms. Goodman "totally
irreplaceable." He told Playbill.com on June 23, "I first met Dody
when she starred in the national tour of Nunsense in 1989. She played
Sister Amnesia and toured for two years. Dody and I became fast
friends and when she said she'd like to play Mother Superior, we put
her in the New York company Off-Broadway. She went on to play Mother
Superior in companies all over the country and toured in Nuncrackers,
our Christmas musical, at age 85. In a comic scene ****traying the
Sugar Plum Fairy she was still able to get her leg up over her head!
We gave her her own nun's habit, shoes and rosary and was always ready
to perform at a moment's notice. Her comedy was unique and her timing
was impeccable. And she was the ultimate professional. As I told a
friend, she was the only performer I knew who could walk on stage as
Mother Superior and say, 'Are you ready to start?,' and have the
audience in stitches. She didn't even need a funny line. She was the
embodiment of comedy."
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